MULTAN: Fans across the country are observing the 14th death anniversary of legendary actor, comedian, and host Moin Akhtar on Tuesday, remembering his towering contribution to entertainment and his unique place in the hearts of generations of Pakistanis.
Moin Akhtar passed away on April 22, 2011, but his influence continues to echo through television screens, theatrical stages, and social media clips — a testament to his timeless talent. He is widely regarded as one of the greatest comic actors of the subcontinent, revered for his ability to blend satire, social commentary, and mimicry with effortless charm.
Born in Karachi on December 24, 1950, Akhtar made his stage debut at the age of 16. From there, his rise to stardom was meteoric. With a career that spanned four decades, he became a household name, captivating audiences with his remarkable impersonations and the sheer range of characters he brought to life.
Fluent in multiple languages including Urdu, English, Sindhi, Punjabi, Pashto, Memoni, Gujarati, and Bengali, Akhtar’s multilingual performances broke cultural and linguistic boundaries. His comedic genius transcended class and region, drawing laughter from children and elders alike and carving a space for himself in the emotional memory of an entire nation.
Among his most cherished works are dramas and shows like Rosy, Aangan Terha, Studio Dhai, Studio Ponay Teen, Yes Sir, No Sir, and Eid Train. His groundbreaking performance as a female television host in Rosy remains one of Pakistani television’s most iconic and celebrated roles, praised not only for its humor but also for its empathy and daring.
During the 1990s and early 2000s, Moin Akhtar teamed up with writer and satirist Anwar Maqsood for Loose Talk, a satirical talk show where Akhtar portrayed hundreds of unique characters — each crafted with precision and cultural insight. The duo’s chemistry and artistic brilliance made Loose Talk a cultural phenomenon, resonating with viewers across Pakistan and beyond.
More than just an entertainer, Akhtar was seen as a voice for the everyday person. His performances often offered social commentary wrapped in humor — a subtle critique of politics, bureaucracy, and social norms that spoke volumes without confrontation.
In recognition of his contribution to the arts, Moin Akhtar was awarded the Presidential Pride of Performance in 1996 and the Sitara-e-Imtiaz in 2011, Pakistan’s third-highest civilian award.
Even in death, Moin Akhtar’s presence lingers. His jokes continue to circulate online, his sketches still make new viewers laugh, and his legacy as a pioneering figure in Pakistani entertainment only grows stronger with time.
As Pakistan remembers him today, Moin Akhtar stands tall not just as a comedian or actor — but as a cultural icon whose work bridged divides and whose legacy will continue to inspire future generations of performers.
